She connects a football game to the way our brain works, and flashing neon lights remind her of her own futility. Ruth Laster's (Antwerpen, 1979) poetry is characterized by playful leaps of the mind, yet they are never banal.
Lasters, who works as a teacher in secondary education, made her debut in 2007 with Vouwplannen (Folding Plans). Her second and most recent volume of poetry Lichtmeters (Light Meters) followed after an eight-year hiatus and was awarded the Herman de Coninckprijs 2016. Besides poetry, she writes novels, columns and opinion.
As a poet she is often inspired by objects from everyday life, such as black umbrella's or cherries lying on a plastic table cloth. Her language is clear, her tone shows an ability to put herself into perspective. She counters cynicism and desperation with tenderness, mild irony and absurdist humor. That way she tames disillusions ‘as sluggish, wet/ dogs. Preferably in a high// cornfield rustling so loud that my dissapointments seem to run ahead of me’.
For Lasters, poetry is the number one place where she can exercise her thought in complete freedom. For that, she invents new words, leaving them out where you would expect them and tweaking the rules of grammar to fit her own idiosyncratic use of them. With the sense of purpose and curiosity of a scientist, she lets her imagination loose on the human species: she examines why elderly people walk with their backs hunched and wonders why we as humans don't form v-formations when afraid. Or she fantasizes about a place where you could relive the discovery of sorbet ice and the electron. And the glass of old window-panes she wants to make into sand again: ‘in a bucket, opaque/ and so finally themselves truly/ observable’.
Lasters employs language as a magnifying glass: she twists reality to see with a crystal-clear vision, against the loss of wonder, and for the gusto of discovery.
Vouwplannen (Folding Plans), Meulenhoff/Manteau, Antwerp, 2007
Lichtmeters (Light Measurers), Polis, Antwerp, 2015
Ruth Lasters' personal website