Since the mid 1990s, Peter Minter has caused a sensation in Australia through his exploration of the ecology that emerges where language, subjectivity and poetics meet in the texture and tissue of poetry. Minter’s work has generally reinvigorated debates about poetry’s function and form in Australia in terms of its relation to hermeneutics as much as to phenomenological representation. More simply, it investigates the tangled cultural and political web we are weaving when we find our way through language to touch on being.
Minter received the Marten Bequest Travelling Scholarship for Poetry in 1999, and in 2000 he was awarded The Age Poetry Book of the Year for Empty Texas. His editorial projects include founding the Varuna New Poetry broadsheet, co-founding and co-editing Cordite Poetry and Poetics Review and Calyx: 30 Contemporary Australian Poets, and editing poetry at Meanjin from 2000 to 2005. At Meanjin he also guest-edited two special issues, ‘Poetics’ (60.2, 2001) and ‘Blak Times: Indigenous Australia’ (65.1, 2006). More recently, he has co-edited the Macquarie PEN Anthology of Aboriginal Literature and the forthcoming Macquarie PEN Anthology of Australian Literature. His work appears in wide range of Australian and international electronic and print publications, and is anthologised in The Penguin Book of Modern Australian Poetry. He is a Lecturer in Indigenous Studies at the Koori Centre, University of Sydney, where he teaches Indigenous cultural, legal and literary studies, specialising particularly in ecopoetics and aesthetic responses to country, sovereignty and identity.
At the launch of his first full collection, Empty Texas, Robert Adamson placed Minter as a successor to Mallarmé, though as with Adamson’s long poem ‘The Rumour’, the contemporary reinterpretation of Mallarmé’s jeu par excellence has more to do with excavating cultural white noise than purifying the language. John Kinsella observed that Minter’s work was ‘as if David Lynch ha[d]written a screen play of the life of Alfred Jarry’, while Ron Silliman simply noted its energy and grace, saying “I want to read more!”
From the testing of the lyric in his first book Rhythm in A Dorsal Fin, which was shortlisted for the 1996 New South Wales Kenneth Slessor Poetry Prize, to the Mallarmean echoes of Empty Texas, up to the most recent Homeric wanderings of blue grass, Minter’s work has remained exceptional for its ability to enter language as a landscape, to negotiate the interstices of culture and nature and to play with and deploy the conceits of poetry and the subject, often mock-heroic and sometimes unreconstructed. Within the accumulation and agglomeration of its slabs of syllabics, it continually creates a lush and organic song headlong into the fragmentation through which perception is renewed as language. Pam Brown says it best: “Peter Minter, irrational Mallarmiste for a new generation, write on!”
(Biographical information provided by Peter Minter and taken from Peter’s website ‘yonder’).
Bibliography
Books
Rhythm in a Dorsal Fin, Five Islands Press, Wollongong, 1995
Empty Texas (A Selection) (folio) Salt, Cambridge, 1998
Empty Texas, Paper Bark Press, Brooklyn, 1999
Morning, Hyphen, Vagabond, Sydney, 2000
Morning, Hyphen, Equipage, Cambridge UK, 2003
blue grass, Salt Publishing, Cambridge UK, 2006
As Editor
Macquarie PEN Anthology of Aboriginal Literature (with Anita Heiss)
, Allen & Unwin, Sydney, 2008
Calyx: 30 Contemporary Australian Poets (with Michael Brennan), Paper Bark Press, Brooklyn, NSW, 2000
Interviews
Peter Minter in conversation with Australian poet Ken Bolton for Jacket
Rosanna Licari interviews Peter Minter for Stylus Magazine
Essays
‘Murdering Alphabets, Disorienting Romance: John Tranter and Postmodern Australian Poetics', Peter Minter and Kate Fagan in Jacket
Peter Minter reviews Jill Jones’ Struggle and Radiance in Jacket
More poems
Peter Minter audio on The Cortland Review
Poems in Slope
Homepages
Peter Minter website 'yonder': http://peterminter.com
/>Peter Minter myspace: http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendID=185734529
/>Peter Minter, Koori Centre, University of Sydney homepage: http://www.koori.usyd.edu.au/staff/pminter.shtml
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Reviews
Angela Gardner reviews ‘morning, hyphen’
Bev Braune reviews blue grass in Cordite
Peter Riley reviews blue grass in Jacket
Tim Thorne reviews blue grass in Famous Reporter
Pam Brown ‘engages’ blue grass in galatea ressurects #8
Lauren Wilson reviews the Macquarie PEN Anthology of Aboriginal Literature in The Australian
Susan Wyndham reviews the Macquarie PEN Anthology of Aboriginal Literature in Sydney Morning Herald
Kevin Brophy reviews the Macquarie PEN Anthology of Aboriginal Literature in Eureka Street