John Clare weaves English words into a nest
and in the cup he stipples rhyme, like mud,
to clutch the shape of something he can hold
but not yet hear; and in the hollow of his hearing,
he feathers a space with a down of verbs
and nouns heads-up. There. Clare lays it down
and nestles over its forming sound: taps and lilts,
the steady knocking of the nib on his hand until
it hatches softly beneath him. And when he peers
below his palm, he spies its eyes, hears its peeps,
but does not know what to think. He strokes
its tottering yolk-wet crown; feels a nip against
his thumb, buds of muscle springy at the wing, and all
the hungers of the world to come for this small singing.