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“Hadas Gilad’s book is filled with kisses”, writes her contemporary, poet Anat Levin: “Kisses that are given or received, or are tempting or regrettable. And there are also breaths and a central aspiration - to be ‘one’ with the world, that is, to be in constant connection with the other, nature, memory, and with earlier texts and cultures. The main thing is to remain in dialogue”.